A new hit! Guest starring (or like the hip hop people say “feat.”) Chris Christie and drums by Rush’s Neil Peart!
You gotta love a hated politician that doesn’t give a shit about his constituents. And the funny part is, people are RAGING about him lately, but, if you aren’t completely politically myopic, you could see this in his behavior since he was first elected. I guess the republicans in New Jersey are completely idiotic, until crap like this is brazenly shoved down their throat in the media.
Either way, this song is HERE TO HELP YOU UNDERSTAND the man and the SELFISH EGO that is Chris Christie. Let us all hope after this, he just GOES AWAY!!!
Created this with:
Korg Volca bass
Korg Volca Keys
Korg MiniKP(red box)
A sampled drum fill from Rush’s track “Red Lenses” (from the “Grace Under Pressure” album)
This took about 4 hours to do. This was tons of fun. Listen in headphones “cause they’re really gonna help you on this one…”
A listing for a technical writer position came up in Rockville. SIX different “recruiters” called me for it.
All offering different lengths of contract.
Some showed a salary range and some didn’t.
Some of them called BEFORE sending a job description i.e., “cold called.”
3 left a message.
This was the one that I could understand the most. This is an example of one of the “great” recruiters in “America” that are the “Warriors of My Future” who will save me from homelessness in this “great” nation. These are the people who control my future and destiny and stand between me and that all so important encompassing enthralling career move that will change my life and make things better for me.
Let’s just listen to the magic and hope for my future.
Think I have any hope? At all?
Do you have a clearer understanding of my “attitude”?
I get this at a rate between 6-12 interactions a day. I’ve had these and answered them and tried to work with them now for 7 months. Do you think these are actual jobs? Any thoughts at all about this would be interesting from anyone. I’ve already emailed 2 congressman about this with no responses.
All I can say is WHAT THE HELL?!?!
UPDATE: I just had a job description that asked if “Any time planned off next few months (Dr appointments, Vacations, etc.)? ”
I replied with “I may get sick. I am human. I do not “need” a vacation ever, but it may be difficult to come to work constantly with no time away. Once again, I am human.”
I am no expert in Cyber Security. I do sort of have an understanding of technical jargon. It kills me or literally sickens me, when senior Trump administration officials refer to Cyber Security as “Fighting the Cyber”.
This sounds like a stupid alien race from Star Trek.
This atrocity of the English language was perpetrated by Steve Mnuchin, Trump’s treasury secretary.
I can completely understand the lack of understanding of what it takes to work on Cyber Security infrastructure. It is a daunting and complex task. But saying things like “fight cyber” shows a lack of understanding AND A CLEAR LACK OF CONCERN AND LAZINESS TO THE POINT OF NOT EVEN WORDING IT CORRECTLY.
People in power that treat issues like this with this public level of impotent concern should be fired. I know I would be fired or at least publicly shamed for it.
High paid glory sucking idiots !!! This is the freaking TREASURY SECRETARY. He better start understanding this terminology and learning to use it correctly at least in public statements. It’s terrifying that someone in charge of money doesn’t even understand how to use this term correctly in common dialect. SHAME SHAME SHAME!
I was in the mood to mess with my much neglected Korg Volca Bass, Keys & Beats synthesizer/sequencers. I needed more analog in my life I guess. So I did this stupid mindless jam on the Volcas then augmented it with some MicroKorg solos and some Ableton MIDI sounds. I even looped some MicroKorg into the Korg Kaossilator. If all this sounds confusing, it is probably because it was. The whole thing is a mess but it was fun to do. This was done at 110 bpm (like that matters).
Enjoy Volcanoid !!!
(as always this is best in headphones or in a car).
One of the few guitarists names that have dropped out of my mouth immediately when discussing guitar playing of any kind.
Allan Holdsworth passed away Saturday, April 15, 2017.
I’ve been having a time with it, as I really love his music. It’s not so much that he is a guitarist of unequaled skill and unique sound, but the way he structures chords and writes music is unlike anything I’ve ever heard. I have always thought it sounded pleasing to the ear, but not normal. It is complex but catchy. It was pleasant but warped. He managed to keep things upbeat and twisted at the same time. Whether with any random number of guest singers (all who are talented in their own right to even try singing Holdsworth’s music), or just instrumental, his music always seemed perfectly unique in quality.
YOU KNOW when you hear Holdsworth play, but when you hear him WRITE its a completely unique experience that just pulls on the ear.
This is possibly my favorite Holdsworth song (which is difficult to say) but its the one that stays in my head for reasons I cannot explain in ANY way.
Notice the way the chords and tune of the song slide along in a pleasant and almost sour tone with a stumbling but consistent rhythm. This is his style. It’s like a roller coaster that is happy it just found out how to go upside down. HA! Just amazing. His genius will be missed.
Here’s another all time favorite that he co-wrote with the band U.K. (with John Wetton on vocals/bass, Bill Bruford on drums, Eddie Jobson on keyboard/violin). This whole song from beginning to end is just polluted with Holdsworth writing style. Also, the late great John Wetton will be missed as well (cannot be stated enough, the Don Pardo of Prog Rock).
Even if you only listen to the last half of UK-Nevermore, you will be amazed. It is just THE SOUND of Progressive Rock, without question. Holdsworth was a key to this.
ALL CHANGE !!!
Now the fun part…
I stole a chord from a song off of his album Atavachron (the song is “Looking Glass”) and I contorted my inexperienced fingers on a MIDI keyboard and played the chord and messed with it rhythmically and loop’ily. I made this thing.
This is Holdsworthian2. I would never even THINK of saying it was a tribute, but I’ve been listening to him a lot and this happened. Think of it what you want, but I don’t think I’m done yet. I wanna tweak it more.
This track was done from noon to 3pm. It was done in 9 seperate tracks. I wanted to mess in a different key. I’m not sure what key this is in, as I’m not a musician nor do I have any solid music theory under my belt, but I know there were 1 or 2 black keys that had to be played or things really sounded terribly sour. It has an A, B, and C section (in good old ABACAB pop song format) with this odd unique bit in the middle where I have the sound of radio stations changing, a piano solo, and chanting “for another day” in the MicroKorg vocoder. I was going to do a drum solo there, but I felt the piano solo and vocoder were more pleasant.
Note: THIS IS BEST HEARD IN HEADPHONES. I did a ton of speaker phasing on this thing, so “get out your headphones and get’m cranked up, cause they’re really gonna help you on this one.”
Samson Graphite 49 MIDI keyboard controller (used for drums as well).
MicroKorg (vocoder and strings in the middle break).
Korg MiniKP (on heavy reverb #62) for the vocoder section.
Ableton Live 9 Studio
A strange drum kit in Ableton Live called “Angry When Sober” (the source of the drum sounds themselves).